R&J Course Description

This is an in-person/hybrid 12-week class at RIT-Osher beginning September16 12, 2022 until December 9.

This class will provide a close look at Shakespeare’s play Romeo and Juliet. Videos will be shown in class of two quite differences performances of the play. In addition there will be short excerpts from other performances as will as videos to provided analysis of the play.

All videos of the performances of the play to be seen in class will have subtitles, so it is not absolutely necessary to have a copy of the play, although it is a good idea to have a copy of the text at hand.

 If you wish a copy of the text, there are many satisfactory versions in print and on line. Avoid the “No Fear” version that replaces Shakespeare’s beautiful language with colloquial contemporary slang.  

The version I am using is: Romeo and Juliet Third Series, Arden Shakespeare, Rene Weis, editor. This contains a substantial amount of background information and a number of essays. This is not necessary and is completely optional.

Note: there is a similarly-titled Arden Performance Edition that is intended for use by actors during rehearsals of the play.

It is available from Amazon as a paperback ($12.95) or Kindle ($5.27). ISBN-10 is 1903439165, ISBN-13 is 978-1903436912.

Romeo and Juliet Characters

Since Romeo and Juliet was not an original story with Shakespeare, in fact it was widely known, he could safely assume playgoers would already be familiar with the story and characters. So there is very little explanatory material describing who the characters are and their reelationaships.

I want to enumerate the major characters and some helpful information regarding how they are interconnected.

Juliet: 13 years old, and an only child. Interestingly, the number 13 does not occur in the play. She is always said to be almost 14. The number 14 pops up in a number of places. Additionally, there are several prominent 14 line sonnets in the script.

Capulet: (her father) seems to be at least 50 years old (there is a line about it having been 30 years since he last attended a masque) Fifty seems old for having a 13 year old only child. Perhaps other children died? There are cryptic references in the text suggesting this may be the case.

Capulet’s Wife: (never called Lady Capulet) Could she be 28 ears old? At one point she claims to have been 14 when Juliet was born. If she was 14, her husband would have been 36. Or is the story about being 14 just a way to convince Juliet that she is old enough be married?

Tybalt: Juliet’s cousin (his father was Capulet’s brother). He is the character in the play most avidly pursuing the feud between the families.

[Rosaline] Romeo is said to be in love with her at the beginning of the play. She is mentioned and is said to be in attendance somewhere at Capulet’s masque, but she has no lines in the play. She is apparently Tybalt’s sister, which would make her Juliet’s cousin.

Prince Escalus: the hand of the law. The name Escalus suggests the scales of justice which he administers.

Romeo: the only son and apparently only child of the Montagues. In the Italian source he is 20 or 21, but Shakespeare gives no hint of his age. Many commentators believe he is quite a bit older than Juliet. Compared to the amount of information we are given about Juliet, Romeo is almost a cipher, at least as far as family and past life are concerned. We initially know almost nothing about him beyond his initial swooning infatuation with Rosaline.

Montague and Montague’s Wife: are small parts with few lines of dialog. Compared to Juliet’s parents, there is little interaction with their child.

Benvolio: Calls Montague uncle and Romeo cousin. These may be honorific, or this may be an actual relationship. 

Mercutio: is apparently related to Prince Escalus. Perhaps his name is meant to suggest he was born under the influence of Mercury: lively, quick-witted, volatile. He is plainly a literary descendant of John Fallstaff of Shakespeare’s two previous plays Henry IV parts 1 and 2.

Nurse: has been with Juliet her entire life. She is nearly as verbally adept as Mercutio. She serves a Juliet’s confidant, at least early in the play.  

Paris: Juliet’s suitor, apparently a member of the Escalus family. Perhaps this is why Juliet’s social-climbing mother is pushing for an early wedding.

Friar Laurence: by lines of dialog, is the 3rd longest part in the play. This is somewhat curious in that few people in Shakespeare’s Reformation England of 1585 would have had any contact with monks or priests.

Chorus: this is a role inherited from Greek drama. Chorus is a character who serves a role somewhat like a voice over would in a movie or TV show, providing commentary. Chorus appears at the beginning of acts 1 and 2. In each case chorus speaks a 14 line sonnet.

Romeo and Juliet Bibliography

Last NameFirst NameTitleYearPublisher
AckroydPeterTudors2012St Martin’s Press
BartonJohnPlaying Shakespeare: an Actor’s  Guide1984Anchor
BasilJohnWill Power: How to Act Shakespeare in 21 Days2006Applause Books
BevingtonDavidShakespeare:2002Blackwell Publishers
BevingtonDavidShakespeare’s Ideas2008Blackwell Publishing
BevingtonDavidShakespeare in Performance Then & Now2007Univ. of Chicago Press
BloomHaroldShakespeare: the Invention of the Human1998Riverhead Books
BloomHaroldWilliam Shakespeare: The Tragedies1985Chelsea House
FryeNorthrupOn Shakespeare1986Yale University Press
ShapiroJamesA Year in the Life of William Shakespeare2005Harper
WeisReneRomeo and Juliet2012Bloomsbury
WoodMichaelShakespeare2003Basic Books

Analysis Act 1 Scene 1

Shakespeare’s audience would likely have been familiar with the story of Romeo and Juliet in advance of attending the play. Consequently, he would have been comfortable jumping right into the action without feeling the need for more than a brief introduction.

This scene, at 10 minutes duration, is one of the longest in the play. It is packed with information suppling important foundational details. It comprises four sections, each of which could have stood as a short scene on its own.

Because of the importance of this scene, I want to briefly describe each of the sections.

Prologue (Lines 1 – 14)

The very beginning of this scene at the start of the play employs a prolepsis, a device that scholars and casual playgoers alike have wondered about for 400 years. That is, he summarizes the plot in the first fourteen lines, including a reveal that both of the title characters will die.

As this was his first tragedy, after a series of comedies, perhaps he felt a need to warn the audience not to expect the happy ending characteristic of comedies.

Or possibly, by giving away the ending in the first speech, Shakespeare is also signaling that the plot is, in a sense, of secondary importance. The audience is no longer watching to find out how it comes out, but to experience and admire the writer’s verbal artistry.

The other oddity is that the prologue has the form of a sonnet, a fourteen line poem in iambic pentameter with a prescribed rhyme scheme. Would someone in the audience realize the prologue was a sonnet as the lines are tossed from actor to actor or is the sonnet a sort of inside joke?

Street Fight (15 – 113)

This section starts off as if the play were going to be a comedy with witty puns and bawdy banter filled with sexual innuendo. Right away we see Shakespeare’s verbal gymnastics. But soon there is a sword fight that establishes the violent antipathy between the two families. When the Prince breaks up the fight, he issues an ominous edict that the next offender will suffer a severe penalty. This will turn out to be Romeo, once again emphasizing that things will not end well for the title characters.

Romeo’s Parents (114 – 153)

This is one of their only appearances in the play, they tell Benvolio that they are worried about their son and ask Benvolio to find out what is bothering him rather than asking him directly. Why do they not ask directly? Does this suggest some sort of familial discord? By contrast, Juliet’s parent have extensive dialog throughout the play.

Romeo and Benvolio (154 – 236)

Romeo is in a daze because he believes himself to be in love with Rosaline. Shakespeare demonstrates that this is not true love by having Romeo spout flowery sounding but nonsensical declarations of love. This is the sort of overwrought word salad that sound superficially impressive, but upon reflection is meaningless. This will contrast sharply with the more heartfelt way he speaks when meeting Juliet.

Brahm’s Requiem Text

The German text below was selected by Brahms from the Lutheran Bible. The English is from the King James Bible.

GermanEnglish
I
Matthew 5:4Selig sind, die da Leid tragen, denn sie sollen getröstet werden.Blessed are they that mourn; for they shall be comforted.
Psalm 126:5,6Die mit Tränen säen, werden mit Freuden ernten.
Sie gehen hin und weinen und tragen edlen Samen, und kommen mit Freuden und bringen ihre Garben.
They that sow in tears shall reap in joy.
He that goeth forth and weepeth, bearing precious seed, shall doubtless come again with rejoicing, bringing his sheaves with him.
II
1 Peter 1:24Denn alles Fleisch ist wie Gras und alle Herrlichkeit des Menschen wie des Grases Blumen. Das Gras ist verdorret und die Blume abgefallen.For all flesh is as grass, and all the glory of man as the flower of grass. The grass withereth, and the flower thereof falleth away.
James 5:7So seid nun geduldig, lieben Brüder, bis auf die Zukunft des Herrn. Siehe, ein Ackermann wartet auf die köstliche Frucht der Erde und is geduldig darüber, bis er empfahe den Morgenregen und Abendregen.Be patient therefore, brethren, unto the coming of the Lord. Behold, the husbandmen waiteth for the precious fruit of the earth, and hath long patience for it, until he receive the early and latter rain.
1 Peter 1:25Aber des Herrn Wort bleibet in Ewigkeit.But the word of the Lord endureth for ever.
Isaiah 35:10Die Erlöseten des Herrn werden wieder kommen, und gen Zion kommen mit Jauchzen; ewige Freude wird über ihrem Haupte sein; Freude und Wonne werden sie ergreifen und Schmerz und Seufzen wird weg müssen.And the ransomed of the Lord shall return, and come to Zion with songs and everlasting joy upon their heads: they shall obtain joy and gladness, and sorrow and sighing shall flee away.
III
Psalm 39:4-7Herr, lehre doch mich, daß ein Ende mit mir haben muß, und mein Leben ein Ziel hat, und ich davon muß. Siehe, meine Tage sind einer Hand breit vor dir, und mein Leben ist wie nichts vor dir. Ach, wie gar nichts sind alle Menschen, die doch so sicher leben. Sie gehen daher wie ein Schemen, und machen ihnen viel vergebliche Unruhe; sie sammeln und wissen nicht wer es kriegen vird. Nun Herr, wess soll ich mich trösten? Ich hoffe auf dich.Lord, make me to know mine end, and the measure of my days, what it is: that I may know how frail I am. Behold, thou hast made my days as an handbreadth; and mine age is as nothing before thee. Surely every man walketh in a vain shew: surely they are disquieted in vain: he heapeth up riches, and knoweth not who shall gather them. And now, Lord, what wait I for? my hope is in thee.
Wisdom of Solomon 3:1Der Gerechten Seelen sind in Gottes Hand und keine Qual rühret sie an.But the souls of the righteous are in the hand of God, and there shall no torment touch them.
IV
Psalm 84:1,2,4Wie lieblich sind deine Wohnungen, Herr Zebaoth! Meine seele verlanget und sehnet sich nach den Vorhöfen des Herrn; mein Leib und Seele freuen sich in dem lebendigen Gott. Wohl denen, die in deinem Hause wohnen, die loben dich immerdar.How amiable are thy tabernacles, O Lord of hosts! My soul longeth, yea, even fainteth for the courts of the Lord: my heart and my flesh crieth out for the living God. Blessed are they that dwell in thy house: they will be still praising thee.
V
John 16:22Ihr habt nun Traurigkeit; aber ich will euch wieder sehen und euer Herz soll sich freuen und eure Freude soll neimand von euch nehmen.And ye now therefore have sorrow; but I will see you again, and your heart shall rejoice, and your joy no man taketh from you.
Ecclesiasticus 51:27Sehet mich an: Ich habe eine kleine Zeit Mühe und Arbeit gehabt und habe großen Trost funden.Ye see how for a little while I labor and toil, yet have I found much rest.
Isaiah 66:13Ich will euch trösten, wie Einen seine Mutter tröstet.As one whom his mother comforteth, so will I comfort you.
VI
Hebrews 13:14Denn wir haben hie keine bleibende Statt, sondern die zukünftige suchen wir.For here have we no continuing city, but we seek one to come.
1 Corinthians 15:51,52,54,55Siehe, ich sage euch ein Geheimnis: Wir werden nicht alle entschlafen, wir werden aber alle verwandelt werden; und dasselbige plötzlich, in einem Augenblick, zu der Zeit der letzten Posaune. Denn es wird die Posaune schallen, und die Toten vervandelt werden. Dann wird erfüllet werden das Wort, das geschrieben steht: Der Tod is verschlungen in den Sieg. Tod, wo ist dein Stachel? Hölle, wo ist dein Sieg?Behold, I shew you a mystery; We shall not all sleep, but we shall all be changed. In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. …then shall be brought to pass the saying that is written, Death is swallowed up in victory. O death, where is thy sting? O grave, where is thy victory?
Revelation 4:11Herr, du bist Würdig zu nehmen Preis und Ehre und Kraft, denn du hast alle Dinge geschaffen, und durch deinen Willen haben sie das Wesen und sind geschaffen.Thou art worthy, O Lord, to receive glory and honour and power: for thou hast created all things, and for thy pleasure they are and were created.
VII
Revelation 14:13Selig sind die Toten, die in dem Herrn sterben, von nun an. Ja, der Geist spricht, daß sie ruhen von ihrer Arbeit; denn ihre Werke folgen ihnen nach.Blessed are the dead which die in the Lord from henceforth: Yea, saith the Spirit, that they may rest from their labours; and their works do follow them.

Music Heard in Brahms Classes

ClassComposerTitlePerformer(s)ConductorOrchestra
OneWolfgang MozartPiano Sonata K284Alexandra Stychkina
Franz LisztTranscendental Etude No. 4Danil Trifonov
Johannes BrahmsHungarian Dance 1Eva Schaumkell Vijay Ventakesh
Ludwig van BeethovenPiano Sonata Op.106Valentina Lisitea
Johannes BrahmsPiano Sonata Op. 1 (opening)Sangyoung Kim
Johannes BrahmsScherzo Op. 4Tae-Hyung Kim
Franz LisztPiano Sonata in B-minorYuja Wang
TwoJohannes BrahmsPiano Sonata Op. 1Sangyoung Kim
Johannes BrahmsPiano Sonata Op. 2Anna Tysbuleva
Johannes BrahmsSchumann Variations Op. 9Nikolai Lugansky
ThreeJohannes BrahmsPiano Trio Opus 8Nikolai Lugansky Gautier Capuçon Leonidas Kavakos
Johannes BrahmsString Sextet No. 1 Opus 18Guy Braunstein Michael Barenboim Ori KamMadeleine Caruzzo Avi Plesser    Nicholas Altstaedt
FourWolfgang MozartSerenade in B-flat major K361London Symphony Orchestra Winds
Johannes BrahmsSerenade 1 Op.11Mark AustinFaust Chamber Orchestra
Johannes BrahmsBallade Opus 10 No. 2Arturo Benedetti Michelangeli
Johannes BrahmsBallade Opus 10 No. 3Arturo Benedetti Michelangeli
Johannes BrahmsBallade Opus 10 No. 4Arturo Benedetti Michelangeli
Johannes BrahmsWaltz Op. 39 No. 3Claudio Lanz
Johannes BrahmsWaltz Op. 39 No. 4Adriano Paolini
Johannes BrahmsWaltz Op 39 No. 15Marnie Laird
FiveGiovanni Pierluigi da PalestrinaMissa Papae Marcelli – KyrieHans Christoph RademannDresdner Kammerchor
Johannes BrahmsVariations & Fugue on a Theme of Händel
Johannes BrahmsSerenade 2 Op.16Kent NaganoHamburg Philharmonic
Johannes BrahmsHaydn Variations  Opus 56Herbert BlomstedtRoyal Concertgebouw
SixJohannes BrahmsPiano Concerto 1     Opus 15Hèléne GrimaudMichael GielenSWR Symphony Orchestra
Johannes BrahmsCello Sonata 1 Opus 38Mischa Maisky Pavel Gililov
SevenJohannes BrahmsTrio for Horn, Violin, & Piano Opus 40Diana Cohen    William Caballero Roman Rabinovich
Johannes BrahmsPiano Quartet  No. 1 Opus 25Pierre-Laurent Aimend Elizabeth Batiashvili Vladimir Mendelssohn Sonia Wieder-Atherton
EightJohannes BrahmsPiano Quartet  No. 2 Opus 26Kelsey Blumenthal Hannah Nicholas    Alan Toda-Ambaras Sophie Scholnik-Bower
Johannes BrahmsViolin Sonata No. 1 Opus 78Elizabeth Batiahvili Pierre-Laurent Aimard
NineJohannes BrahmsString Sextet No. 2 Opus 36Boris Brovtsyn      Clara-Jumi Klang Amihi GroszTimothy Redoubt Pablo Fernandez   Zvi Plesser
Johannes BrahmsPiano Quintet Op. 34Arvid Engelgård        Liv Hilde Kiokk.          Ida BryhnJan Clemens Carlsen Nils Anders Mortensen
TenJohannes BrahmsEin Deutsches Requiem Opus 45Solveig Kringelborn Mariusz KwiecieńValery GergievRotterdam Philharmonic Swedish Radio Choir

Introduction to The British are Coming

This course asks and attempts to provide some understanding of two questions.

The first is: why was there an American Revolution? To many Americans this seems a no-brainer. Of. course there was a revolution. We are Americans. We are made of sterner stuff. We were not about to be subjects to any other country, not even Britain.

For one thing this ignores the fact that colonists in British north America very much thought of themselves as British subjects. Between 1688 and 1763 France and Britain fought four wars, parts of each took place in North America. In each of these wars colonists fought on the British side. We know from letters and pamphlets written by the colonists that they were proud of being British subjects and proud of having contributed to British victories.

Another factor arguing against the likelihood of revolution is the fact that the colonies were mutually antagonistic. They rarely agreed on anything. They thought of themselves as 13 sovereign entities. In fact, after the fourth of the wars between France and Britain, Benjamin Franklin tried to organize a committee for mutual defense against the French. He tried to get each of the colonies to send a representative to Albany to discuss this plan. Not a single colony sent a representative. So that was that for the Albany Plan.

So, I maintain that it far from self evident that barely 12 year later, the colonies would unite in declaring independence and fighting a war together.

The second question I will examine is this: once there was a war in which Britain sent thousands of highly trained professional soldier and sailors along with Hessian mercenaries, with hundreds of warships supply ships and tons of heavy artillery–how did the colonial army primarily made up of amateurs whose day jobs were farmers, blacksmiths, and shopkeepers manage to survive long enough to attract support from European nations, especially France?

Dealing with these two questions will be the substance of the ten weeks of this course.

The British are Coming Timeline

DATEEVENT
1534New France Founded
1607Colony of Virginia founded at Jamestown
1756-1763Seven Years’ War – Treaty of Paris
1747George Croghan’s trading post on lake Erie
1749Ohio Company founded
1754Jumonnville’s Glen  –  Fort Necessity – Albany Conference
1763Royal Proclamation of 1763, no settlement beyond Alleghenies
1763Grenville’s Navigation Acts
1764Sugar Act
Mar. 22, 1765Stamp Act
1765Stamp Act Congress
1765Quartering Act
1766Repeal of Stamp Act, Declaratory Act
1766Sons of Liberty, Liberty Pole in NY
Jun. 15-Jul. 2, 1767Townshed Acts
1768Adams’ Circular Letter
March 5, 1770Boston Massacre
1772Gaspee Affair
Dec. 16, 1773Boston Tea Party
March-June 1774Intolerable Acts, Quebec Act
Sept. 5, 1774First Continental Congress
Apr. 19, 1775Lexington & Concord
May 10, 1775Ethan Allen seizes Ft. Ticoneroga
June 17, 1775Bunker Hill
June 19, 1775Washington placed at head of Continental Army
July 9, 1775Olive Branch Petition
Nov. 3, 1775Fort St. John taken
Nov. 13, 1775Americans take Montreal
Dec. 30-31, 1775Battle of Quebec
Jan. 26, 1776Knox delivers Ticonderoga artillery to Washington in Boston
March 4, 1776Cannon installed on Dorchester Heights
March 5-17, 1776British abandon Boston
June 1776British fleet arrives in New York harbor
July 4, 1776Declaration of Independence
Aug 22-27, 1776Battle of Brooklyn
Sept 11, 1776Richard Howe meets with Benjamin Franklin
Sept 15, 1776British occupy Manhattan
Sept 16, 1776Battle of Harlem Heights
Oct 28, 1776Battle of White Plains
Nov 16, 1776Battle of Ft. Washington
Nov 20, 1776Battle of Ft. Lee
Dec 20, 1776Thomas Paine publishes The American Crisis
Dec 26, 1776Washington Crosses Delaware
Dec 26, 1776Battle of Trenton 
Jan 3, 1777Battle of Princeton 

Bibliography for The British are Coming

LastFirstTitleDatePublisher
AckermanBruceWe the People: Foundations1991Harvard Univ. Press
AckroydPeterRevolution: The History of England from 1688 to 18152015Thomas Dunn Books
AndersonFredCrucible of War: The Seven Years’ War and the Fate of Empire2000Vintage
AtkinsonRickThe British are Coming: The War for America Lexington to Princeton2019Henry Holt
BailynBernardThe Origins of American Politics1970Vintage
BailynBernardThe Peopling of British North America: An Introduction1988Vintage
BailynBernardThe Barbarous Years2013Vintage
BailynBernardThe Ideological Origins of the American Revolution2017Harvard Univ. Press
BlanningTimPursuit of Glory: the Five Revolutions that Made Modern Europe 1648-18152017Viking
BrandsHenryThe First American: The Life and Times of Benjamin Franklin2002Anchor
BrodieFawnThomas Jefferson: An Intimate History1974W. W. Norton
BreenTimothy“How Did the Colonies Unite?,” The New York Review of Books, Mar 11, 2021
ChernowRonAlexander Hamilton2004Penguin Books
ColleyLindaBritons: Forging the Nation 1707-18372009Yale University Press
ColleyLindaThe Gun, the Ship, ands the Pen: Warfare, Constitutions, and the Making of the Modern World2021Liveright
Di SpignaChristianFounding Martyr: The Life and Death of Dr. Joseph Warren2018Crown
EllisJosephAmerican Creation: Triumphs and Tragedies in the Founding of the Republic2008Vintage
EllisJosephAmerican Sphinx: The Character of Thomas Jefferson1998Vintage
EllisJosephFounding Brothers: The Revolutionary Generation2002Vintage
FerlingJohnA Leap in the Dark: The Struggle to Create the American Republic2003Oxford Univ. Press
FerlingJohnJohn Adams: A Life1992Henry Holt
FischerDavid HackettPaul Revere’s Ride1995Oxford Univ. Press
FischerDavid HackettWashington’s Crossing 2006Oxford Univ. Press
FlemingThomasA Disease of the Public Mind2013Da Capo Press
FlemingThomasWashington’s Secret War: The Hidden History of Valley Forge2005Smithsonian
FlexnerJamesWashington: The Indispensible Man1974Little, Brown & Co.
FonerEric“A Traitor to the Traitors,” The Atlantic, December 2023
FranklinBenjaminAutobiography
GriffinPatrickAmerican Leviathan: Empire, Nation, and Revolutionary Frontier2007Hill and Wang
HartLiddellStrategy (Second Revised Edition)1967Frederick A. Praeger
HickeyDonald R.The War of 1812: a Forgotten Conflict1989Univ. Illinois Press
HitchensChristopherArguably: Essays2012Twelve Books
HitchensChristopherThomas Jefferson: Author of America2015Eminent Lives
HitchensChristopherThomas Paine’s The Rights of Man2008Grove Press
HochschildAdam“Mildred Rutherford’s War,” The New York Review of Books, Dec. 7, 2023
ImmerwahrDaniel“The Pitchfork of History,” The New Yorker, October 23, 2023
KetchumRichardThe Winter Soldiers: The Battles for Trenton and Princeton1973Henry Holt
KetchumRichardSaratoga: The Turning Point in America’s Revolutionary War1999Henry Holt
KetchumRichardDivided Loyalties: How the American Revolution Came to New York2003Henry Holt
LeporeJillBook of Ages: the Life and Opinions of Jane Franklin 2013Knopf
LeporeJillThis America: The Case for the Nation2019W. W. Norton
LeporeJillThese Truths: A History of the United States2018W. W. Norton
LeporeJillThe Whites of Their Eyes2020Princeton Univ.
LoewenJamesLies My Teacher Told Me: Everything Your American History Textbook Got Wrong2007Atria Books
MackesyPiersThe War for America 1775-17831964Harvard Univ. Press
MarshallTimPrisoners of Geography: Ten Maps that Explain Everything About the World2016Scribner
MayElaine TylerFortress America: How We Embraced Fear and Abandoned Democracy2017Basic Books
McCulloughDavidJohn Adams2001Simon & Schuster
McDonaldForrestNovus Ordo Seclorum: The Intellectual Origins of the Constitution1985Kansas Univ. Press
MeierPaulineFrom Resistance to Revolution: Colonial Radicals and the Development of American Opposition to Britain, 1775-17761972W. W. Norton
NagyJohnGeorge Washington’s Secret Spy War: The Making of America’s First Spymaster2016St. Martin’s Press
NashGaryThe Unknown American Revolution2005Viking
NortonMary Beth1774: The Long Year of Revolution2020Vintage
PangleThomas L.The Spirit of Modern Republicanism: the Moral Vision of the American Founders and the Philosophy of Locke1988Univ. Chicago Press
PhilbrickNathanielBunker Hill: A City, A Siege, A Revolution2014Penguin Books
PhilipsKevin1775: A Good Year for Revolution2012Viking
PhillipsKevinThe Cousins’ Wars1999Basic Books
PulsMarkSamuel Adams: Father of the American Revolution2006Palgrave MacMillan
RicksThomasFirst Principles: What America’s Founders Learned from the Greek and Romans2020Harper
ScottJamesAgainst the Grain: a Deep History of the Earliest States2017Yale University Press
SeidelAndrewThe Founding Myth2019Union Square & Co
StollIraSamuel Adams: A Life2008Simon & Schuster
TaylorAlanAmerican Colonies: The Settling of North America2001Penguin Books
TocquevilleAlexisDemocracy in America (Harvey Mansfield, Delba Winthrop, trans.)2000Univ. Chicago Press
Van EngenAbramCity On a Hill: a History of American Exceptionalism2020Yale University Press
VowellSarahLafayette in the Somewhat United States2016Riverhead Books
WilentzSeanThe Politicians and the Egalitarians: The Hidden History of American Politics2016W. W. Norton
WilentzSeanThe Rise of American Democracy2005W. W. Norton
WoodGordonThe Creation of the American Republic 1776-17871998Univ. North Carolina
WoodardColinAmerican Nations2012Penguin Books

List of Mahler’s Songs

DateSong TitleSong Cycle
1880Im Lenz
1880Winterlied
1880Maitanz im Grünen
1883Frülingsmorgen
1883Erinnerung
1883Hans und Grete
1883Serenade aus Don Juan
1883Phantasie aus Don Juan
1885Wenn mein Schatz Hochzeit machtLieder eines fahrenden Gesellen
1885Ging heut’ Morgen über’s FeldLieder eines fahrenden Gesellen
1885Ich hab’ ein glühend MesserLieder eines fahrenden Gesellen
1885Die zwei blauen Augen von meinem SchatzLieder eines fahrenden Gesellen
1887Um schlimmeKinder artig zu machen
1887Ich ging mit Lust durch einen grünen Wald
1887Aus! Aus!
1887Starke Einbildungskraft
1890Zu Straßburg auf der Schanz’
1890Ablösung im Sommer
1890Schneiden und Meiden
1890Nicht wiedersehen
1890Selbstgefühl
1892Der Schildwache NachtliedDes Knaben Wunderhorn
1892Verlor’ne MühDes Knaben Wunderhorn
1892Trost im UnglückDes Knaben Wunderhorn
1892Wer hat dies Liedlein erdacht?Des Knaben Wunderhorn
1892Das irische LebenDes Knaben Wunderhorn
1893Des Antonius von Padua FischpredigtDes Knaben Wunderhorn
1893RheinlegendchenDes Knaben Wunderhorn
1893UrlichtDes Knaben Wunderhorn
1895Es sungen drei EngelDes Knaben Wunderhorn
1896Lob des hohenVerstandesDes Knaben Wunderhorn
1898Lied des Verfolgten im TurmDes Knaben Wunderhorn
1898Wo die schönen Trompeten blassenDes Knaben Wunderhorn
1899RevelgeDes Knaben Wunderhorn
1901Der Tamboursg’sellDes Knaben Wunderhorn
1901Ich atmet’ einen linden DuftRückert-Lieder
1901Liebst du um SchönheitRückert-Lieder
1901Blicke mir nicht in die LiederRückert-Lieder
1901Ich bin der Welt abhanden gekommenRückert-Lieder
1901Um MitternachtRückert-Lieder
1901Nun will die Sonn’ so hell aufgeh’nKindertotenlieder
1901Nun seh’ Ich wohl, warum so dunkle FlammenKindertotenlieder
1901Wenn dein MütterleinKindertotenlieder
1901Oft denk’ Ich, sie sind nur aufgegangenKindertotenlieder
1901In diesem WetterKindertotenlieder
1909Das Trinklied vom Jammer der ErdeDas Lied von der Erde
1909Der Einsame im HerbstDas Lied von der Erde
1909Von der JungendDas Lied von der Erde
1909Von der SchönheitDas Lied von der Erde
1909Der Trunkene im FrühlingDas Lied von der Erde
1909Der AbschiedDas Lied von der Erde